Alfredo Catalani
Born in Lucca, Catalani was trained at the Milan Conservatory, where his teachers included Antonio Bazzini. Despite the growing influence of the verismo style of opera during the 1880s and early 1890s, Catalani chose to compose in a more traditional manner, which had traces of Wagner in it. As a result, his operas (La Wally excepted) have largely lost their place in the modern repertoire, even compared to those of Massenet and Puccini, whose style his own periodically resembles. (Catalani much resented Puccini's emergence and even accused Puccini, falsely, of plagiarism.)
The influence of Amilcare Ponchielli can also be recognized in Catalani's output. Catalani's reputation, like Ponchielli's, now rests almost entirely on one work. However, while La Wally enjoys occasional revivals, Ponchielli's La Gioconda has always been the more popular opera of the two (287 performances to date at the Metropolitan Opera, New York, as opposed to only four for La Wally).
In 1893, upon his premature death from tuberculosis in Milan, Catalani was interred in the Cimitero Monumentale, where Ponchielli and conductor Arturo Toscanini also lie. A passionate admirer of Catalani's music, Toscanini even named one of his daughters Wally. Toscanini recorded the prelude to Act IV of La Wally and the "Dance of the Water Nymphs" from Loreley in Carnegie Hall in August 1952 with the NBC Symphony Orchestra for RCA Victor.
Almost 90 years after his death, in 1981, his work was highlighted by the release of Diva, a thriller directed by Jean-Jacques Beineix which employed the aria from La Wally.